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♪ Art Zone theme song ♪

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-Hi there and welcome
to Art Zone.

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I'm Nancy Guppy coming to you
this week from Sub Pop Records

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on the beautiful
Seattle waterfront.

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♪ ♪

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Founded in 1988 by Bruce Pavitt
and Jonathan Poneman, the

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mighty Sub Pop record label
has, from the beginning, signed

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and championed bands who
have something to say.

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Nearly 40 years later,
the label's roster

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of 100 plus artists
continues to reflect that

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original mission and vision.

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Music, clothes, books, and
lots of groovy merch can be

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perused at their sparkling
new waterfront shop.

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Hours, location, and a
deeper dive into Sub Pop's

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history is on their website.

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♪ ♪

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We've got a terrific show
including...a private library

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at the public market.

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-We have a collection
of over 11,000 books.

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♪♪ 

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- Remembering Gary Minkler.

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♪♪

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A calendar of fun.

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♪♪

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And new music from Dining Dead.

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♪♪

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♪♪

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♪ I’ve been had ♪

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♪♪

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-We'll begin with cartoonist
and self-described

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big kid, Pat Moriarty.

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♪♪

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-Even at my age, I feel like
a professional child because

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I have to have whimsy.

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And that's my purpose
of being a cartoonist.

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so I feel grateful for that.

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♪♪

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My work is probably meticulously
rendered ridiculousness.

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Every image you see of mine
has some kind of purpose.

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I've sometimes ruined a drawing
by getting a little OCD

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on the crosshatching.

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The quality of it
is very meticulous,

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but the spirit of
it is ridiculous.

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My creative process involves
solving problems for people if

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they need an album cover, if
they need a poster, or if

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they need a sticker, or
if they need a t-shirt.

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That's what gets me started with
thinking of creative ideas.

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That was just at the
Olympia Film Festival

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just a couple months ago.

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They're all event posters
for the most part.

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This was a Black Sabbath
tribute show that was just

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at the Clock Out Lounge.

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My work has appeared in
Mad Magazine, Nickelodeon

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Magazine, National
Geographic Kids Magazine,

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various record labels like
Sub Pop and Estrus Records.

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I'm so old, there's so
many different places

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it's appeared, I can't
think of them all.

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[laughter]

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♪♪

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Yeah, music related art is
my favorite thing to do.

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I'm a big music fan.

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I love the idea of
promoting a show

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or doing a record cover.

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It has to be a band that I
like and am inspired by,

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and I like to do it with
people that I know.

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♪♪

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I jokingly like to say
that I'm the product

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of frisky art students.

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My dad was a cartoonist
in the Navy,

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and then he met my
mom at art school.

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My family all were artists,
and my whole family drew,

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And I thought that was
normal, so very early it

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got ingrained into my mind
about being in cartoons.

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And a lot of it had to do
with my mom and dad drawing

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in front of me a lot.

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[pencil gently scratches paper]

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I start off with a small rough
draft, you know, 8 1/2 by 11.

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Then I blow it up to the size
of my actual drawing paper,

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and then I tape it on the back,
and then I draw it again.

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[paper crumpling]

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This is just like a hint.

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And then I draw it a little
bit nicer when I pencil it.

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And then I get out the ink,
and I draw it again with ink,

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so it actually gets
drawn several times.

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[crowd cheering]

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-Yeah, and it's nice to be here.

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You guys seem like you're
in a good mood tonight.

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Is that true?

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Are you feeling good tonight?

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My animations started with the
documentary "Derailroaded."

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It was a documentary
about Wild Man Fischer.

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♪ Shut up ♪

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- Then I did that Replacements
video for “Shut Up”

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from the “Sorry Ma” album.

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And then recently
there's a documentary

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about Kevin Cole from
KEXP called “Radio Heart.”

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- I turn around and it's Prince
and he's holding an acetate.

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- An awful monster.

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- This is a poster I did for
Fitzgerald's reunion show

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There's lots of
original art in here.

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The world's shortest St.
Patrick's Day parade.

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This is some of the
ideas that I had

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for the Rainier
poster this year.

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You can kind of see
how it developed.

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Original sketches for my
ideas for the Rainier Day.

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R Day is an annual event
that Rainier Beer has.

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♪ ♪

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They contacted me about doing
a comic book themed poster

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for the event, and eventually I
designed the stage banners too.

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♪ ♪

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So that one and one of these?

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All right.

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You want them in a tube?

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♪♪ 

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All right, this is the new one.

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They just got printed yesterday.

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In 2025, I did the posters.

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In 2026, they asked
me to do it again.

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I never thought in
a million years

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they'd use the same artist
two years in a row,

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but it did really well.

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It's surreal to see your
artwork all over the place

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and to see it so large
and for such a big event.

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So it's an honor.

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The 3D or the 2D?

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These are all down to
like the last maybe five.

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This was just in April.

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When people look at my
work, I want them to smile.

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I want them to look at
it for a long time.

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And I want them
to become curious

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about what the purpose
of this artwork is.

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And if the artwork
served its purpose,

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which is to make
them buy the record

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or go to the show or
whatever it may be.

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I'm a professional child.

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I draw cartoons.

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I think of myself as part
of the youth culture,

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but sometimes I'm
harshly reminded

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that I'm not part of the
youth culture anymore.

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I still participate in it.

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That's just who I am.

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I'm always gonna be into music.

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I'm always gonna be into art.

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I'm always gonna
be into cartoons.

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I'm always gonna be
into being a goofball,

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and that's what I'll
be to the grave.

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♪♪ 

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-Follow Pat on his website
and see his work in person

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at the Short Run Comics Festival
happening Saturday, November 7th

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at the Seattle Design Center.

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Nestled in the heart of
Seattle's bustling Pike Place

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Market is Folio, a quiet, calm
room brimming with books.

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♪♪ 

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-I'm Caroline Cumming.

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I'm the executive director of

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Folio, the Seattle Athenaeum.

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and we're here at Pike Place
Market overlooking Elliott Bay.

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[seagulls squawking]

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We're a little bit hard to find.

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We're in the Economy Building
above DeLaurenti.

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We're also not far from
the fish throwers,

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and you can take the
elevator, the last elevator,

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up to the beautiful
library there as well.

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♪♪

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We have a collection
of over 11,000 books,

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and we have a lot of
diverse programming

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with author readings,
musical evenings,

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book discussions, open
mics, poetry clubs,

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philosophy clubs, and
lots of other programming

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that brings our literary
community together

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here in Seattle.

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♪ ♪

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-I'm a member.

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I come here as often
as I can because I'm

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in grad school for poetry.

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So I get to read and I get to
write and to be surrounded

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by people who are also
reading and writing.

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It's a great energy.

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The book is by a poet
named Terrance Hayes.

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At Pegasus.

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They are like those crazy
women who tore Orpheus

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when he refused to sing.

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These men grinding in the
strobe and black lights of

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Pegasus, all shadow and sound.

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♪ ♪

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-The original libraries
in America were

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subscription-based libraries,
the first one being the Library

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Company, founded by Benjamin
Franklin in Philadelphia.

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We are here to connect readers
and writers and thinkers.

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And the Athenaeum itself
is that space, a space to

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come, to read, to study.

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So a place where you can
actually come and really support

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your own intellectual growth,
your own literary pursuits

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and just a place to be
quiet and reflective.

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-I've been a member
since November 2025.

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I chose “America's Women:
400 Years of Dolls,

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Drudges, Helpmates, and
Heroines” by Gail Collins.

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When I look back through
all American history,

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the one moment that stays
with me is the image

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of women standing on the
deck of the Mayflower,

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staring out at a whole
continent of dense forest.

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Plenty of male Europeans
had made the same

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voyage before them, but
they were explorers or

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traders or fishermen out
to get what they needed

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and they returned home.

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For women, this was going
to be the only trip they

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would ever know again.

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The real job of
settling was theirs.

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Most of them would die before
they could put down real roots,

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but those who survived
generationally went

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on to have big families
whose descendants took

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special pride in knowing
that they shared the DNA

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of those simple, sacred,
and determined women.

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♪ ♪

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-What we're finding is that more
and more people are coming to us

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as this quiet oasis above
the noise and the hubbub and

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the vibrancy of the market.

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[urban noise, crowds talking]

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We do have quite a lot
of the people who work

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in the market come up and
read during lunchtime

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and take a book off the
shelf and come back the

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next day and start the
next chapter wherever they

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were and it's a beautiful thing
to see and of course it's so

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quiet. It's crazy down there,
it's crazy outside the

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door and we hear that all
the time and they're like

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this is like an oasis,
this is like a hidden gem,

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a place where you can
just find yourself again.

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♪ ♪

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-I chose “Angel Down”
by Daniel Kraus.

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It's a book that Lillian, our

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librarian, recommended to me.

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I read it and I rarely
read books twice even

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though Lillian always says
you know you've never

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read a book till you've read it
twice. I didn't want to read any

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other book after this so I
just started it all over again

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and it was just one of
the most compelling books

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I've ever read. It's a
World War I story.

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It's all one sentence, but

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don't let that intimidate you.

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It's very readable.

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♪ ♪

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-I've chosen “Jazz Life”
by William Claxton.

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This is a photography book
that shows off the height

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of the jazz scene.

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The photographer is excellent at

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capturing the love of music.

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He seems to get it in the shot.

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And as a musician myself,
like I can feel that

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through the photography.

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This is a Mahalia
Jackson performing at

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00:12:22,783 --> 00:12:25,786
her home on Chicago's
South Side.

252
00:12:25,786 --> 00:12:28,581
There's the
traditional telling

253
00:12:28,581 --> 00:12:32,001
of the Southern story with
African-American artists

254
00:12:32,001 --> 00:12:34,295
and their influence
early on in jazz.

255
00:12:34,295 --> 00:12:36,922
But then we reach
photographs like this

256
00:12:36,922 --> 00:12:40,843
and there's a non-segregated
group of musicians

257
00:12:40,843 --> 00:12:42,762
playing together in
a social setting.

258
00:12:42,762 --> 00:12:44,722
I always loved that they
captured that energy

259
00:12:44,722 --> 00:12:50,019
'cause jazz is about
community and color in here.

260
00:12:50,019 --> 00:12:52,021
And there's a lot of that
in this photography.

261
00:12:52,480 --> 00:12:58,319
♪ ♪

262
00:12:59,111 --> 00:13:05,117
-It's an Irish poet, Tmuric Colum
or Padraic, as some people say,

263
00:13:05,117 --> 00:13:08,245
and it's called 'A Cradle Song'.

264
00:13:08,245 --> 00:13:14,460
O men from the fields, come
softly within, Tread softly,

265
00:13:14,460 --> 00:13:17,087
softly, O men coming in.

266
00:13:17,087 --> 00:13:22,802
Mavourneen is going from me
and from you, Where Mary will

267
00:13:22,802 --> 00:13:25,805
fold him with mantle of blue.

268
00:13:25,805 --> 00:13:31,268
From reek of the smoke and cold
of the floor, and peering of

269
00:13:31,268 --> 00:13:36,732
things across the half-door,
O men from the fields,

270
00:13:36,732 --> 00:13:40,069
soft, softly come through.

271
00:13:40,069 --> 00:13:43,864
Mary puts round him
her mantle of blue.

272
00:13:44,031 --> 00:13:49,745
♪ ♪

273
00:13:50,538 --> 00:13:53,457
It's definitely a place
for the surprise and

274
00:13:53,457 --> 00:13:56,627
delight of exploring and
finding something new.

275
00:13:56,627 --> 00:14:00,881
and also really getting
that curiosity going

276
00:14:00,881 --> 00:14:03,300
about what else is
there on the shelf?

277
00:14:03,300 --> 00:14:05,010
What else is there to explore?

278
00:14:05,219 --> 00:14:09,431
♪ ♪

279
00:14:11,267 --> 00:14:14,562
- More about Folio,
including hours, location,

280
00:14:14,562 --> 00:14:17,439
and membership information
is on their website.

281
00:14:17,439 --> 00:14:20,276
♪ ♪

282
00:14:21,694 --> 00:14:25,030
Our band this week is
Dining Dead, featuring

283
00:14:25,030 --> 00:14:28,784
Sammy Skidmore, Kennedy
Webb, Emma Hayes,

284
00:14:28,784 --> 00:14:32,037
Bogie Pieper, and Griff Benzel.

285
00:14:32,037 --> 00:14:34,707
And here they are performing
"Hustled" from the stage

286
00:14:34,707 --> 00:14:36,083
of the Sunset Tavern.

287
00:14:37,668 --> 00:14:53,809
♪ ♪

288
00:14:53,809 --> 00:14:55,811
♪ ♪

289
00:14:55,811 --> 00:14:59,940
♪ I've been hustled 
I've been had ♪

290
00:15:00,649 --> 00:15:03,027
♪ I'm varnishing off a girlhood ♪

291
00:15:03,360 --> 00:15:05,362
♪ ♪

292
00:15:05,362 --> 00:15:05,946
♪ I've been hustled ♪

293
00:15:07,072 --> 00:15:12,161
♪ I've been had 
I'm polishing off my last life ♪

294
00:15:12,161 --> 00:15:13,662
♪ Knocking it back ♪

295
00:15:23,547 --> 00:15:25,633
♪ What does it mean ♪

296
00:15:25,633 --> 00:15:28,218
♪ To be tan and raunchy ♪

297
00:15:28,218 --> 00:15:30,804
♪ Now I'm cruel and haunted ♪ 

298
00:15:30,804 --> 00:15:41,065
♪ Like I was freeze-dried out ♪ 

299
00:15:41,065 --> 00:15:50,449
♪ ♪ 

300
00:15:51,951 --> 00:15:54,453
♪ Maybe it's me who hates them ♪ 

301
00:15:54,453 --> 00:15:58,332
♪ The colonizer plays 
the victim again ♪ 

302
00:15:59,083 --> 00:16:01,293
♪ What does it mean ♪ 

303
00:16:01,293 --> 00:16:07,591
♪♪ 

304
00:16:08,092 --> 00:16:09,969
♪ Take the roots ♪

305
00:16:10,844 --> 00:16:12,137
♪ Out of my head ♪

306
00:16:13,597 --> 00:16:15,391
♪  Burn the branches, 
scatter the ashes ♪ 

307
00:16:15,391 --> 00:16:18,394
♪ At the four corners 
of existence ♪

308
00:16:18,394 --> 00:16:28,237
♪♪

309
00:16:28,237 --> 00:16:31,448
♪ I was a fish
I was convinced ♪

310
00:16:31,448 --> 00:16:41,458
♪ At the four corners 
of existence ♪

311
00:16:41,458 --> 00:16:43,502
♪ So I built a pool to swim in ♪

312
00:16:43,502 --> 00:16:50,259
♪♪

313
00:16:50,259 --> 00:16:54,763
♪ Do I like music
Do I like writing ♪

314
00:16:54,763 --> 00:16:58,475
♪ Or is it just pretension, 
I forgot to mention ♪

315
00:16:58,475 --> 00:17:00,436
♪ I just wanna go on my phone ♪ 

316
00:17:02,187 --> 00:17:08,360
♪ Leave me alone ♪

317
00:17:08,360 --> 00:18:12,341
♪♪

318
00:18:12,341 --> 00:18:16,428
♪♪

319
00:18:29,900 --> 00:18:33,695
-Catch Dining Dead live on
Saturday, October 31st,

320
00:18:33,695 --> 00:18:36,406
Halloween Night, at
Add-a-Ball in Fremont.

321
00:18:36,615 --> 00:18:40,702
♪♪

322
00:18:41,078 --> 00:18:44,540
And now, a few arty items
for your consideration.

323
00:18:45,165 --> 00:18:46,792
♪♪

324
00:18:47,167 --> 00:18:51,380
The Seattle Symphony presents
Halloween Spooktacular,

325
00:18:51,380 --> 00:18:55,801
a frightfully fun adventure of
new music and spooky classics

326
00:18:55,801 --> 00:18:58,470
designed for kids ages 6 to 12.

327
00:18:58,470 --> 00:19:01,932
happens Saturday,
October 31st at 11 a.m.

328
00:19:01,932 --> 00:19:03,851
Costumes are encouraged.

329
00:19:04,434 --> 00:19:08,522
♪♪

330
00:19:09,815 --> 00:19:13,277
Artist Terry Kapp, inspired
by the ever-changing

331
00:19:13,277 --> 00:19:16,864
atmosphere in the sky, has
a beautiful exhibit of

332
00:19:16,864 --> 00:19:21,910
new oil paintings titled, 
“To the Sky and Other Places.”

333
00:19:21,910 --> 00:19:25,205
Terry's 35-plus canvases
will grace the walls of

334
00:19:25,205 --> 00:19:28,333
Windermere West Metro
in West Seattle through

335
00:19:28,333 --> 00:19:29,960
Saturday, October 31st.

336
00:19:32,045 --> 00:19:34,715
♪♪

337
00:19:35,048 --> 00:19:38,177
And finally, the Burlesque
Educational and Social

338
00:19:38,177 --> 00:19:40,929
Convention kicks off
their annual four-day

339
00:19:40,929 --> 00:19:45,475
gathering of workshops,
panels, and master classes

340
00:19:45,475 --> 00:19:48,854
led by internationally
recognized instructors,

341
00:19:48,854 --> 00:19:51,857
award-winning performers,
and the legends

342
00:19:51,857 --> 00:19:55,527
who helped shape burlesque
as we know it today.

343
00:19:55,527 --> 00:19:58,405
BurlyCon takes over the
Hilton Seattle Airport

344
00:19:58,405 --> 00:20:01,867
and Conference Center
November 5th through the 8th.

345
00:20:01,867 --> 00:20:05,829
♪ ♪

346
00:20:07,372 --> 00:20:10,751
We want to take a moment
to remember Gary Minkler,

347
00:20:10,751 --> 00:20:15,005
a wonderful artist and
friend who died on Saturday,

348
00:20:15,005 --> 00:20:16,340
September 26th.

349
00:20:17,549 --> 00:20:21,637
♪♪

350
00:20:21,845 --> 00:20:26,016
Born and raised in Seattle, Gary
was the founder and lead singer

351
00:20:26,016 --> 00:20:31,563
of Red Dress, a band that hit
the local music scene in 1977.

352
00:20:31,563 --> 00:20:35,234
With a unique, hard to
categorize sound of rock,

353
00:20:35,234 --> 00:20:39,363
blues and funk, sometimes even
pushing into performance art,

354
00:20:39,363 --> 00:20:41,490
Red Dress was exciting and new.

355
00:20:41,490 --> 00:20:45,869
And over the next five decades,
Gary and the guys never lost

356
00:20:45,869 --> 00:20:47,079
their brilliant edge.

357
00:20:48,538 --> 00:20:51,500
Gary did form a few side
projects along the way,

358
00:20:51,500 --> 00:20:55,545
including his excellent solo
record, “Little Trailer Ruby,”

359
00:20:55,545 --> 00:20:58,298
but Red Dress was the
constant thread running

360
00:20:58,298 --> 00:21:01,843
through Gary's creative life,
and until last spring, he

361
00:21:01,843 --> 00:21:05,055
and the band played the
Sea Monster Lounge every

362
00:21:05,055 --> 00:21:06,932
second Sunday of the month.

363
00:21:07,975 --> 00:21:11,979
The room was always packed, and
Red Dress always delivered.

364
00:21:13,188 --> 00:21:17,401
In addition to being a creative
genius, Gary was a loving

365
00:21:17,401 --> 00:21:21,071
father, grandfather,
brother, uncle, partner,

366
00:21:21,071 --> 00:21:22,447
and a loyal friend.

367
00:21:24,866 --> 00:21:29,705
He was beloved, he was one of a
kind, and he is deeply missed.

368
00:21:29,955 --> 00:21:34,042
♪♪

369
00:21:35,168 --> 00:21:36,545
And that is a wrap.

370
00:21:36,545 --> 00:21:39,131
Big thanks to Sub
Pop for hosting us.

371
00:21:39,131 --> 00:21:42,926
And their waterfront location
is open 10 to 6, 7 days a week.

372
00:21:42,926 --> 00:21:45,679
So plan your visit soon.

373
00:21:45,679 --> 00:21:48,390
We're going to leave
you with Red Dress

374
00:21:48,390 --> 00:21:51,643
performing “Bob is a
Robot” from their 2011

375
00:21:51,643 --> 00:21:53,895
concert at ACT Theater.

376
00:21:53,895 --> 00:21:56,356
Enjoy, and we'll see you soon.

377
00:21:56,356 --> 00:21:59,985
-You know, with Gary, if you
heard him or walked in and

378
00:21:59,985 --> 00:22:03,530
saw him playing or performing,
there would just be no

379
00:22:03,530 --> 00:22:05,032
question as to who it was.

380
00:22:05,032 --> 00:22:06,199
It's Gary Minkler.

381
00:22:06,199 --> 00:22:11,246
-I was shy when I was younger,
you know, introverted, low

382
00:22:11,246 --> 00:22:14,207
self-esteem and all that stuff.

383
00:22:14,207 --> 00:22:18,545
So naturally, you know, I always
had the dream of, you know,

384
00:22:18,545 --> 00:22:23,050
getting out and being wonderful
in front of a bunch of people.

385
00:22:23,050 --> 00:22:29,014
-The first time I saw Gary was
at the Rainbow and floored

386
00:22:29,014 --> 00:22:31,683
me, just knocked me out.

387
00:22:31,683 --> 00:22:33,643
-He throws it down really hard.

388
00:22:33,643 --> 00:22:35,103
He can't do it any other way.

389
00:22:35,103 --> 00:22:36,480
It doesn't work.

390
00:22:36,480 --> 00:22:39,149
It has to be all in.

391
00:22:39,149 --> 00:22:42,194
-Kind of performer that really
has to make things his own

392
00:22:42,194 --> 00:22:43,445
in order to do it at all.

393
00:22:43,445 --> 00:22:45,655
-I think he truly is a genius.

394
00:22:45,655 --> 00:22:50,243
He's one of the anointed ones,
equally blessed and cursed.

395
00:22:50,243 --> 00:22:53,580
-I'm the mayor and
the village idiot.

396
00:22:53,580 --> 00:22:54,289
[laughter]

397
00:22:55,082 --> 00:22:57,250
How did I become mayor?

398
00:22:57,250 --> 00:22:58,543
I don't know.

399
00:22:58,543 --> 00:23:00,087
But, you know, I
didn't think it out.

400
00:23:01,838 --> 00:23:02,923
They let me.

401
00:23:03,131 --> 00:23:08,553
[crowd cheering]

402
00:23:08,553 --> 00:23:10,055
♪♪

403
00:23:13,100 --> 00:23:17,646
♪ A few years ago I put
on a little red cap  ♪

404
00:23:17,646 --> 00:23:18,688
v And can't get a picture v

405
00:23:20,565 --> 00:23:22,192
♪ But in spite of
what's been shown ♪

406
00:23:22,192 --> 00:23:23,318
♪ I made a new day ♪

407
00:23:23,318 --> 00:23:26,947
♪ I didn't build those walls ♪

408
00:23:26,947 --> 00:25:47,504
♪♪

409
00:25:51,299 --> 00:25:57,055
♪ So I packed my bags
and I caught me a train ♪

410
00:25:57,055 --> 00:26:01,977
♪♪

411
00:26:01,977 --> 00:26:27,043
♪ Then I left for ♪
To suck what's in ♪

412
00:26:28,461 --> 00:26:48,440
♪♪

413
00:26:52,736 --> 00:26:56,698
And thank you so much, and
thank you very much for coming.

414
00:26:57,449 --> 00:26:58,700
We truly appreciate it.

415
00:27:00,118 --> 00:27:02,954
♪ ♪